Keith takes a swim, gains a secret admirer, and finds something to live for.
I’m in love with Jojo’s (Arahir’s) writing. So I’m really happy that I was finally able to draw some fanart for them <3 The art is based on their fanfic “Every Breath you Take”
Sony Pictures Imageworks has made the color management tool OpenColorIO—which was used to create the recent hit animated film Spider-Man: Into the Spider-Verse—available to the open source community. The tool has now become the second software project of the Academy Software Foundation (ASWF), a Linux Foundation-owned open source association.
In addition to Into the Spider-Verse, OpenColorIO has been used in the production of such other films as Hotel Transylvania 3, Cloudy with a Chance of Meatballs and Alice and Wonderland.
lachryphagy is the term used to describe the behaviour of tear drinking in nature, typically in environments - like the purvian amazon shown here - where sodium and other micronutrients are hard to find.
bees and butterflies need sodium for egg production and metabolic purposes, but their diets of nectar are low in salt. so the orange julia and sulfur yellow butterflies you see here turn to the salty tears of often stationary turtles and caiman.
and though the caiman and turtles seem to receive no reciprocal benefit from the interaction, they’re apparently happy enough to just help out. (x, x, x, x, x, x)
This is a much-talked-about topic. So, rather than going the traditional pros-and-cons route, I’m going to give you some advice on which factors to consider when making your decision:
1. First thing’s first: what’s the difference?
Self-publishing a book means that you are putting it out there on your own - no publishing house and no literary agent. You will be in charge of every aspect - editing, proofreading, marketing, the book launch, cover design etc.
Traditional publishing means that your book has been purchased by a publishing house and that said house is responsible for getting your book out into the world. This process also usually entails being represented by a literary agent.
2. Factor: Your knowledge base
Few writers are writers only, which means that you might have a particular set of skills or a vast array of knowledge in an area that could assist you in one of these publishing routes.
Knowledge needed for self-publishing: some business knowledge, knowledge of the entire process needed to publish a book, knowledge of self-publishing platforms etc.
Knowledge needed for traditional publishing: knowledge about the publishing industry - about literary agents and publishing houses, about what to look out for in contracts, about querying and going on submission etc.
Keep in mind that this knowledge can be acquired. It doesn’t have to be something you already possess. But the type of studies/research you do will be determined by the route you choose to take.
So, if you majored in an area of business, if you worked for a publisher for years etc., you already have a good foundation for self-publishing.
If you’re like me and you’ve been researching the industry since you were 15 (and have a law student’s knowledge of contracts), your skills may assist you better in traditional publishing.
So, think about the type of knowledge you have/would be able to acquire.
Keep in mind: marketing knowledge is applicable and needed for both routes.
3. Factor: Budgetary concerns
We’re not all in the same financial situation. I know it’s not fun to talk about money, but it does play a significant role in publishing.
With traditional publishing, you will have to spend money on marketing. Furthermore, if you hire an editor/critique service in order to polish your manuscript before you query, that’ll cost you a few bucks too.
However, self-publishing requires a lot more money. You need to pay a cover designer, critique service, editor, proofreader, formatter etc.(there are often packages to this effect) And you will have to pay for marketing as well. If you use platforms like CreateSpace or IngramSpark, you don’t have to pay for the printing itself, since it’s print-on-demand.
This consideration isn’t about whether you have bags of money just waiting to be used. It’s about whether you have the financial and personal capacity to save the money you need (and whether you can budget well). Calculating how much you need to save each month in order to self-publish and sticking to that calculation will be necessary for the self-publishing route (unless you have quite a few dollars lying around).
So, if you are on a VERY tight budget (like me as a student) or know that you are absolutely horrible at sticking to your saving goals, consider trying the traditional publishing avenue.
HOWEVER, the income you receive from the published product must also be kept in mind. With traditional publishing, authors get a (relatively small) advance and then a small percentage of the sales as royalties (12% is generous where I’m from). Since the publisher paid for everything, they also get most of the profit. With self-publishing, you get the biggest percentage of the sales revenue (some of it will go to the printing and distributing platform).
4: Factor: Your personality/preferences
Are you a very versatile person? Would you like spending your time on various different aspects of the publishing process? Do you need control of every aspect of your book baby’s release into the world? Are you good at managing projects? Can you be difficult to work with? Are you excited by the idea of paving your own way and ignoring industry stigmas? Are you great at sticking to self-imposed deadlines? Then you’re probably more suited to the world of self-publishing.
Do you want to focus on writing (and marketing) and not really the other stuff? Are you okay with relinquishing some control? Do you work well with others? Does prestige matter to you? Does the idea of managing a big project alone give you the jitters? Then your personality might work better for traditional publishing.
Please don’t think that this is set in stone. I’m not trying to place anyone in a box. This is just another factor you can take into account when making your decision.
5. A decision doesn’t bind you for life
You can be a hybrid author. If you’ve decided to pursue traditional publishing, you can always switch to self-publishing later once you’ve made a name for yourself. If you’ve already self-published one (or a few) books, nothing prevents you from querying agents for a different project and going the traditional route. (In fact, having self-published books might count in your favour.)
So, it is an important decision, but it isn’t set in stone.
I hope that this is helpful. If you have any questions, head over to my asks. And if you want to request a writing advice post, don’t be shy.
Reblog if you found these tips useful. Comment with the route you’re thinking of taking. Follow me for similar content.
The thing about Harry Potter as a character is that he is insanely observant when he actually cares enough to pay attention. Meaning 90% of the stuff he deems unimportant flies over his head, but he makes these huge leaps of logic and intuition when he bothers to focus. Like in the books when it comes to anything relating to Voldemort or Death Eaters or People Not To Be Trusted (Draco, Umbridge). Growing up, he had to be able to see when a situation was going south long before the frying pan or Dudley’s fists came his way. But he also had to be able to ignore and tune out the constant flow of shit and neglect he was treated to.
If you think about it, for all the better aspects of Hogwarts, it still followed this same basic pattern. He had to pay close attention to the things trying to kill him (even classes took a back seat to this), but find a way to ignore and not acknowledge all the rumors and staring and people thinking he’s a prat or the heir of slytherin or a liar. I think this is why the arguments that Harry is a mushroom and notices nothing, and the arguments that he is deductively brilliant can exist side by side. He’s both. It’s also why, in my opinion, he tends to be ridiculously observant of Ginny once he starts to notice her as something important. She barely exists in the early narrative other than Someone to Be Saved. It’s also why Ginny can sometimes feel like she ‘comes from nowhere’ in the narrative. As far as Harry is concerned, she did come from nowhere. The switch in Harry’s brain went from Doesn’t Matter–Ignore to Very Important–Pay Close Attention, and BAM, there she was. Everywhere.
